You would expect the Coda 9's to be even better still, considering the extra bass driver hidden internally within the coupled-cavity cabinet but you would be disappointed as this is not the case. The 8's have a much fuller sound and bass so punchy that you could close your eyes and easily believe you were listening to much larger speakers. Personally I thought the Coda 8's were far better than the Coda 7's, despite not having the bi-wire option. Read our full KEF LS50 Wireless II review.The effect was a purer treble, clean mids, and a more defined bass, with the whole presentation, opened out, offering subtler but more precise detail and greater instrument separation. MAT is basically a clever way of absorbing sound waves that radiate from the rear of the tweeter dome so that they don’t distort the unit’s forward output, effectively creating an ‘acoustic black hole’ and absorbing 99 per cent of the unwanted sound. The Wireless II address the LS50 Wireless' minor imperfections and, while proudly maintaining the familiar chassis and Uni-Q driver arrangement, manage to squeeze out even more performance by introducing a new KEF innovation called Metamaterial Absorption Technology (also found on its LS50 Meta passive speakers, and hopefully on many more KEF models to come). When it comes to innovative and entertaining sequels, Wayne's World 2 or Deuce Bigalow: European Gigolo may spring to mind, but in 2020 KEF released the LS50 Wireless II all-in-one streaming speaker system and quickly earned a reputation as a follow-up of rare quality as well as a What Hi-Fi? Award. Which brings us to another LS50 descendent.
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